
All paintings at: https://sites.google.com/view/cabinetofvanities
Acrylic on Canvas, 1971, 28×36
Joanne in Kansas City

All paintings at: https://sites.google.com/view/cabinetofvanities
Acrylic on Canvas, 1971, 28×36
Joanne in Kansas City

My wife usually gets her hair “done” in a salon,. When she gets home, there are inevitable complaints that it “looks different”. Of course – the lighting is changed .
There have always been different light effects – sunset, noon, overcast. And artificial from candles, gas jet, incandescent. In the era of LED, any “temperature” of red or blue or green or yellow mixture can be served up, bright or dim .
We deal with all this amazingly well. Red usually looks red. A landscape picture resembles itself in almost all conditions. But that should indicate to us just how amazing our vision is – both raw data gathering and interpretation .
Painters always knew this. Patrons who bought things done under “Northern light exposure” in studios rarely hung their purchases under similar conditions. Poor artists’ dimly lit barns had different lighting then when the work is hung in a brightly illuminated museum. And forget trying to recreate the conditions of “plein aire” .
My lesson is that much of our life is like this. We may think things are exactly the same, but only because our brains automatically adjust to what are objectively quite different events. It’s part of our amazing ability to compose and generalize, the core of our knowledge.
Not quite obvious, and easy to ignore. Until the hair looks entirely different …

Any society seems to require government, complex societies more so than simple ones. Except under true communism (where the government/people own everything) taxes must be raised to pay for it .
Taxes over the last tens of thousands of years have taken many forms, and involved almost anything imaginable. Fees, income, wealth, property, sales, ethnicity and on and on. But as the industrial revolution morphs into the AI/automation revolution, perhaps machines and processes should themselves provide revenue .
This is heresy to classic economists. More production always enriches society, they say, and should be encouraged. Lately, that may not be true. A marginal gain in output of widgets entirely done by machine instead of traditional labor may actually harm the society more than it helps .
How to directly tax machines? probably with heavy fees and taxes on the input resources they use – electricity, air, water. Large land taxes on the property they occupy. Major levies on associated nuisances like noise pollution or environmental degradation. And, of course, the equivalent of tariffs to equalize all this between nations and regions .
Simple? No. But presumably an AI in charge of government could make it all work .
(As long as that AI was not self-aware !)

All paintings at: https://sites.google.com/view/cabinetofvanities
Acrylic on Canvas, 1976, 40×48
Boston Public Garden in Winter

One current cultural complex alternates between the values of being on a team, or just following a leader. Usually one expects that moderation works best, but in this case a genius or gifted leader can be the right choice, though having a strong team is important as well. It’s illustrated well in the fortunes of sports franchises.
No question a perfect ruler is a wonderful thing – in politics, business, or sports. Almost superhuman, always making the right decisions. Lifting all those around with a series of almost miraculous performances and decisions.
On the other hand, single rule has issues too, well beyond whether the leader is always right. Illness, corruption, burn out and a general malaise on the part of anyone not in the charmed circle. A wonderful leader is often a short-term solution, and one which simply leaves a bigger mess to clean up when it ends .
There is also the unfortunate tendency of such strong personalities to assume they are gods, placed well above all mortals, and deserving of worship. Like the ancient Greek pantheon, they may become irrationally bitter or destructive over the smallest perceived slight .
Unlike those gods, they do usually require some kind of team to accomplish their whims. Alas, poor Zeus.
Alas, the rest of us.

All paintings at: https://sites.google.com/view/cabinetofvanities
Acrylic on Canvas, 2000, 30×40
Dark clouds attracted me / white gull startled me / insistent wind endlessly / gusted towards tomorrow

We are conditioned by evolution and experience to expect there to be a “next time” for most events. Next time the sun comes up, the next time it rains, an endless procession of recurrences .
We use that knowledge to plan and learn. “Next time will be different” we may say. We hope to do better in things at which we have failed, repeat exactly things we have enjoyed. And for most of our lives, for much of our daily existence, that belief works very well indeed .
Oh, we know there are unusual one-offs. Never again a fifth birthday party. Hopefully not another car accident. We stash those away and hope or fear as “once in a lifetime” .
As I grow older, “next time” becomes more problematic. Almost all the things I used to know have changed. Places are no longer as they were. Some people have vanished. Institutions I took for granted have mutated as in horror films. Some of it is good, I acknowledge, but even that means there is no true next time for a lot of my memories .
And it begins to get a little frightening. Any given day, for any given event, any given encounter, there may never be a next time. Such absences cascade until I feel trapped in a few quotidian routines that I can (for the moment) count on .
And yet – I DO still expect a next time most of the time.

I think throughout history most humans at one time or another have entered a trance state. Often from concentration on something, sometimes from unusual circumstances like pain or fatigue, occasionally from use of drugs or alcohol. Always when dreaming .
In a trance we tend not to be fully aware of our surroundings. The universe has narrowed down to a particular selection of mind and senses. We are hyper aware of a few things and ignore the environment. This condition may last a few minutes, a few hours, rarely longer .
I’ve always been easily entranced. When reading a good book, for example. In my working days, entering a fugue in cyberspace as I worked out problems. Now when I engage with a sketch or drawing .
There’s not much to say about being in a trance. To be honest, I most appreciate it when I return to “real life”. I suddenly realize I’ve been away. I am refreshed, relaxed, and surprised. Wonderful things!
Of course, nobody can or should inhabit dreamland forever. There is truly a big universe to appreciate out there. But as a short vacation from the mundane it is magnificent .

All paintings at: https://sites.google.com/view/cabinetofvanities
Pastel and Ink on Mulberry Paper, 2025, 11×15
Years ago / Weeds were high / I could hide behind / A beautiful screen

A primary goal in any art form is to select the limits of the work and communicate them to an imagined audience. A pencil sketch is different from an oil canvas. A tonal study has criteria which do not much resemble hard outlines . How well the final work succeeds is based on the selection of limits, the communication of these limits, and the impact of the finished product within its declared and accepted boundaries .
I think this is why we find children’s or “primitive” or amateur work so charming. We accept the basic proposition and enjoy the creation. No need to compare your child’s work to the Sistine chapel. “Grandma Moses” even finds a place in fine art museums .
We live, however, in an age of imagined limitlessness. Artists often refuse to accept any limits, and the result is a mess, whether a dinner or a sculpture or a book. Other artists rebel and set artificially narrow bounds which, even if successfully executed, are quite boring once the initial shock wears off .
So I happily say to myself “this and not that”, or “that’s enough”. My art is more satisfying for so doing. And I pretty much feel the same way about life in general .