
Now seems an age of spectacles. Huge crowds attend sports events, electronic extravagances in stadiums, concerts, and crazy oddities like “Burning Man”. A thirst for the exotic, satisfied continuously by spectacular technology .
Yet many spectators are really not on site. They view the show on tiny screens, or even large screens, with none of the crowding and hormones that make a live event so noteworthy. Yet they count it as a spectacle nonetheless .
I’ve grown more sedate, although I still do enjoy the ideas of some spectacles. But older and more fragile, I’m quite content to be an armchair adventurer most of the time. The revelation for me has been how much spectacle I can create in my immediate surroundings, by careful and total immersion in the moment. Truly listening to bird calls, rapidly staring at patterns of leaf shadows in a breeze, even staring for minutes at an ant or spider.
The whole world, properly seen, is a constant surprising miraculous spectacle. That’s really why I continue to draw. A sketch forces a trance-like state that squeezes my concentration to the point where whatever I am looking at is spectacular. With luck, that intensity carries over when I am done .
Giant spectacles are grand real marvels _ I’m not knocking them. But I find that without all the muss and fuss I am usually surrounded by equivalent possibility. True wonder .









