
Acrylic on Canvas, 1977, 30×40
City rain
All paintings at: https://sites.google.com/view/cabinetofvanities

Acrylic on Canvas, 1977, 30×40
City rain
All paintings at: https://sites.google.com/view/cabinetofvanities

Acrylic on Canvasboard, 1998, 24×36
Hot July noon / lifts the smells / of lobster traps / And tidal flats.
All paintings at: https://sites.google.com/view/cabinetofvanities

The old Roman saying went “there is no questioning taste”. Even if we hate what someone else likes, even if we think it is evil, it remains true that that person enjoys it. So aesthetics is an almost impossible ideal on which to base society, or even an activity like art .
Of course, within any subculture or social group, argument is possible. Religions thrive on it – the ultimate form of an aesthetic outlet is probably deep faith. Less life-changing agreements – as in art criticism – are all around us. Fashion, food, morality, even life purpose. What looks good to us? What constitutes a masterpiece ?
Unfortunately, an extremely finely tuned aesthetic sense in anything usually brings problems. The least is an individual obsession, the worst is mob madness. Fine art is littered with the judgments of serious critics which have aged into silly constipated irrelevance .
I found that I must spend effort – before making an aesthetic judgment _ to understand the context. “A beautiful tree” might mean almost anything depending on where your mind is coming from. Are you painting a picture or evaluating lumber possibilities?
Realizing that – and understanding that most aesthetics are careful and often valid in one way or another may be one of the necessary conditions of wisdom .

Acrylic on Canvas, 1999, 32×44
Deeply set on trimmed lawn / their mansion just another rock / to oak and sparrow, in 100 years only / the sand strip remains
All paintings at: https://sites.google.com/view/cabinetofvanities

Acrylic on Canvas, 1974, 32×44
Dancers
All paintings at: https://sites.google.com/view/cabinetofvanities

Acrylic on Canvas, 2005, 30×40
Heat simmers air up / reflections cool down / almost nothing moves / lethargy
All paintings at: https://sites.google.com/view/cabinetofvanities

Acrylic on Canvas, 2004, 30×40
One lovely morning / in the middle – / a swan / my morning, my swan, my center
All paintings at: https://sites.google.com/view/cabinetofvanities

Acrylic on Canvas, 2002, 30×40
Pale rider skims, / deep and jagged canyon / chaos mists. Cruel the line / cold blue steel the hook
All paintings at: https://sites.google.com/view/cabinetofvanities
(Pale rider series a reflection on the death of close relatives)

In art, as in society, bland beauty is out, shock is in. We are inundated with machine replicated loveliness. No real complaints about that – it surely makes our lives better. I’m not about to harp on “bourgeois aesthetics” – taste is always fickle and in the eye of the beholder .
Ah, but to get someone’s attention? That is difficult. Pretty much impossible to out-machine machines – folks can easily buy relatively cheap stuff indistinguishable from the original masterpieces of the ages. And the whole world of artisans, amateurs, and now AI churns out more mountains of stuff hour by hour, day by day, year by year .
All that remains is notoriety. Become famous. A red x on a black splotch done by a celebrity is worth something. A ceiling that resembles a palatial achievement done by Jane Doe – not so much. So shock it is – blood, guts, mess or – as Tom Wolfe called it – aesthetics of “the painted word” – slavishly adhering to an artificial intellectual formulation .
And so it is becoming with work, life, being. Shock everyone to “go viral”. Become well known. Stand out from the crowd. No matter how crude, stupid, senseless – shock the complacent herd into frenzies .
Ah, elusive success .

Acrylic on Canvas, 2001, 30×40
Stiff soldiers guard this shore / ready for autumn, helpless to hold / its advances
anthropomorphism, simile, just weeds / I catch my fancies in paint
All paintings at: https://sites.google.com/view/cabinetofvanities