
All paintings at: https://sites.google.com/view/cabinetofvanities
Acrylic on Canvas 1975, 30×40
Vacant lot, Boston

All paintings at: https://sites.google.com/view/cabinetofvanities
Acrylic on Canvas 1975, 30×40
Vacant lot, Boston

Old Dutch Master still lifes make you think you can lift flowers or bugs off the painted surface. Modern photographs have the same effect. Yet in a very real way, they do not match the reality we inhabit .
Two eyes let us see – especially nearby – in parallax to be able to judge depth. For distant objects, of course, we have other references like size and haze and perspective, but they can be quite deceptive. In the real world it has been important to us primates to be able to focus in this weird binocular manner to better use our hands for handling fruit and tools .
That is a long prologue to today’s rant about cults – religious, secular, or political. Cults have beliefs that are strictly monocular. They have little depth and allow by definition for no other viewpoint. The strictest cult outlooks don’t even let one move one’s head to get a better or different view – that’s the definition of “heresy” .
Current culture has unfortunately devolved into a set of cults. Perhaps a saving grace is that complex humans can believe in more than one cult – often contradictory – at the same time .
Binocular vision and its philosophic implications is a gift from the universe we should always acknowledge gratefully .

All paintings at: https://sites.google.com/view/cabinetofvanities
Acrylic on Canvas 1972, 30×40
Early attempt at “Electric Impressionism”
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Perhaps we have all turned into John Henry, pounding railroad spikes trying to beat a machine. Artists are confronted with the same situation as other intellectual occupations – what used to take skill, pride, thought, and time can now be done by any teenager in a dull moment. The internet is flooded with AI images, movies, stories. Work has similarly vanished. Some of us remain luddites, stubbornly sticking to brush and pencil. Why? A waste of time…
But is it ?
Climbing a mountain or hiking in a forest is not the same as viewing a YouTube video of the adventure (not even – as technology advances – an IMAX immersion). Things we do for ourselves have both an outer and an inner component .
Accomplishment of something difficult brings pride. Even if it is only pounding spikes. Or painting a canvas .
The key is that doing something you like to do, either for the activity itself or for recognition, is a kind of play. The same task forced on you (especially repetitively) is a chore or boring job. We should avoid confusing the two .
Mankind evolved with hand coordination. In spite of our big brains, we remain a physically oriented species. I think AI art robs both the creator and the audience of that heritage. Except for the brief thrill of novelty, pride and satisfaction are completely missing .

I believe the primary goal of art is to instill appreciation. That is true whether one is creating it or absorbing it. All the rest is detail. That outlook applies to all types of artistry. Cooking, dancing, painting, whatever. A warm flush of “wellness” if it works. In current jargon, a re-enchantment with the world .
I approach my current pastels and sketches in such a mood. Not to “capture” what I see – that is done ad nauseum by photographs and photorealistic artists. Not to create salable artifacts, nor even some phantom dream of inclusion in the universal “museum without walls” . Just to fully engage in and appreciate a moment, in my case more easily accomplished by my clumsy actions.
Oh I admit it’s nice to have a tangible marker of having been alive. A kind of pride at having “done something” rather than just sitting on the couch. Like writing, a verifiable trail to the past .
Nice relaxed attitude, a child again. I don’t much care if what I do closely resembles whatever inspired me. The goal is more the trance of a vision enabled by concentrated action. When I wake out of this state, if successful, I am relaxed and content with everything .

More paintings and info at: https://sites.google.com/view/cabinetofvanities
Acrylic on Canvas 2004, 30×40
Just a whimsy of / an empty day. My / eyes making something / where my soul sees / nothing at all

I was raised in a fairly middling environment. Certainly not poverty nor even “salt of the Earth”, but not high end aristocratic. As I matured, I lost most ambitions of pretentiousness in my quotidian pleasures. I call it my crude peasant outlook .
For example, I enjoy a good steak. I do not go into purple prose ecstasy over exactly how wonderful it is – subtle flavors, tenderness, whatever. I find sauces and garnishes excessive. It’s just a good steak, another fine meal .
Most of the world I read about now seems to have passed me by. Pretentiousness reigns supreme. The “right things” are so much better. Handbags, salads, shoes, schools, cars, swimming pools … The internet sorts it all out for you to aid your expensive tastes .
I don’t pretend I like awful stuff. A dinner of peas and gruel is not enjoyable. Ratty clothes are terrible. But the level of relatively common, useful, and affordable stuff is quite high. And I try to appreciate it .
All in all, I find my crude peasant world a land of luxury and enchantment. I rarely envy all those others who mostly seem to scurry about hoping others will notice and envy them. That pretentiousness seems a terrible waste of our human gift of existence .

More paintings and info at: https://sites.google.com/view/cabinetofvanities
Acrylic on Watercolor Paper 1999, 22×30
Dreck and pebbles on the shore / life’s struggles with the seasons / man’s craft for the elements / light and water play on the eye / how can I hope to describe them?

My wife has an amazing tendency to closely inspect only what she is interested in at the moment. It is honestly a trait most of us in this culture share. The forest is too huge, even the tree too complicated, so we examine each leaf as if it were the most important object in the environment .
That’s how our current “influencers” make money. Each proclaims the leaf they happen to be viewing as the most essential key to life. And lazy folks with no time for intellectual depth follow them for the sheer fun of it, like riding on an amusement park structure .
More unfortunately, religions and political movements have the same tendency. Seize on one or two narrow perspectives and defend them fiercely, ignoring forests, trees, and all the other leaves around them. Existence becomes tied to one or two holy objects. They compose essays, songs, poems, slogans. But beware if such gain power !
For most of us, as for my wife, it’s all a game of short-lived variety. A way to enhance each moment by becoming enchanted with the trivial .
But it’s no way to run a civilization .

Anyone can anecdotally give good reasons for never using an automobile. High on the list is a possibility of a deadly accident, examples of which abound. And yet, in this culture just about everyone uses a car all the time. Math has little to do with it. Nor do the horrible examples of mangled bodies. “Common sense” tells us that in spite of possible danger, it is far more useful to go places in a vehicle than to stay home. Unfortunately, such “common sense” is in short supply in other areas of our lives involving risk/reward .
Actually, anyone closely involved in a fatal accident either involving themselves or someone close to them wants to blame someone. The car manufacturer, road maintenance, whatever. And they rush about telling one and all about what must be done, maybe avoid cars at all cost .
That isn’t effective with stuff people are very familiar with. True “common sense” kicks in.
But in areas that are less well or less easily understood, anecdotes seem to rule. Medicines, laws, even right or wrong. Too esoteric to be easily understood. ” I know a man who …”, “I had a cousin who…”,” once I was …”.
All true. All irrelevant. When people try to make risk zero, as any entrepreneur can explain, reward vanishes .