
All paintings at: https://sites.google.com/view/cabinetofvanities
Acrylic on Watercolor Paper, 1998, 18×24
On the float, mayfly humans / dance ephemeral existence / soon tide covers the rock / no more persistent than they

All paintings at: https://sites.google.com/view/cabinetofvanities
Acrylic on Watercolor Paper, 1998, 18×24
On the float, mayfly humans / dance ephemeral existence / soon tide covers the rock / no more persistent than they

All paintings at: https://sites.google.com/view/cabinetofvanities
Pastel and Ink on collaged pastel paper , 2025, 20×26
Odd placement / Not conventional / Just how I saw / Just how remembered

I contend, contrary to current corporate creed, that there is value in public expenditures and public places. Plazas, parks, churches, and, for the purpose of today’s thought, museums .
A public museum is a marvelous place. Its purpose is always to arrange stories and show versions of reality. Sometimes bones or rocks, sometimes paintings or sculpture, sometimes any oddball mix of anything. Objects usually with a story attached to amaze, mystify, or educate .
There are claims that with the advent of virtual spaces on the internet, museums are obsolete. That may be true in terms of tagging objects. But another function of public places is as a setting for everyone’s street theater, to see and be seen by others. A crowd sharing some momentary focus.
You protest that is also true of things like private parties and such. Sports events. I agree. The bounds are fluid. But by being open to all, a public space provides a wide variety of experience. To get back to the title, I love museums. Old, new, whatever. They make me consider what some other folks considered important. They let me see how contemporary peers react .
Such public interaction is a great binding experience, less frantic and directed than a stadium light show .

All paintings at: https://sites.google.com/view/cabinetofvanities
Acrylic on Canvas, 2002, 30×40
Wild geese with purpose / noisy fly west, / flood tide lies quiet / under the long moon / artist reflects, wistful / scribbles of moments gone.

Each one of our senses is miraculous and far more complex than we usually give credit for. I hesitate to claim I am primarily “visual” because I truly celebrate them all, but I am often greatly aware of what I see and how I perceive it .
Anyone who gives a moment of thought is amazed at colors, and lines, making sense of the environment by constructing objects in depth. Keenly tuned to any movement. Able to instantly assemble a worldview of depth and perception when we glance around. Focusing on anything for fight, flight, or manipulation. The list is endless, and there is no need to expand the craziness by trying to explain the mechanisms of the eyes, nerves, and brain .
My vision naturally works with everything else. If I hear a noise, I automatically try to see what caused it. Before I eat I view each morsel. When I walk I use my internal visual mapping to aim my steps and avoid bumping into things.
And I am somewhat frustrated when my eyes cannot help . The wind and cold surprise me. Internal issues scare me. Other times I use eyes unconsciously as when I read and my mind ignores all the intermediate processing from printed symbols to dreamlike thought .
Incredible. Miraculous. Instantaneous. Always available. And – unfortunately – prone to errors, incapacity, and age .

All paintings at: https://sites.google.com/view/cabinetofvanities
Acrylic on Canvas, 2002, 30×40
All modern Americans shop / I see them gathered in parking lots / like flocks of gulls / so busy being fed

All paintings at: https://sites.google.com/view/cabinetofvanities
Acrylic on Canvas, 2006, 30×40
Two corner me / not One Corner Ma / the original inspirations / continue, unheeding.

All paintings at: https://sites.google.com/view/cabinetofvanities
Acrylic on watercolor paper, 1998, 18×24
If a sunlit day can be ugly / this was an ugly day / wind cold and promise of worse / that guy needs solitude, beauty or cash / real bad

Like ” wrong”, beauty is one of those concepts that can never be simply defined. It depends not only on environmental and cultural factors but also on the mood of the observer. We can often agree, but almost as often argue with others and even with ourselves .
It’s fairly safe to say that even considering beauty requires a sense of security within the observer _ you can hardly appreciate the loveliness of a forest while being chased by a bear. . Whether something is beautiful or not occurs way down on the scale of evolutionary fight or flight. A great deal of the time, most of us hardly notice it at all .
We assume that – like other odd traits – there must be SOME biological reason we can respond to beauty. Perhaps it helps social solidarity. Perhaps it is a shortcut to relaxation. Certainly nothing obvious .
I have noticed that in my own life the idea of beautiful has evolved as I age. When young, it was primarily biological. When older, mostly cultural. And now, in an elder, much more simply appreciation of all that is and how it fits together. A miraculous and – yes – extremely beautiful universe .
At least when I am happy, secure, and not doing too much .

All paintings at: https://sites.google.com/view/cabinetofvanities
Acrylic on Canvas, 1971, 28×36
Joanne in Kansas City