
More paintings and info at: https://sites.google.com/view/cabinetofvanities
Pastel and Ink on Canson, 2025,20×26
Lyrical morning/Fog blurs distance/Hides future/Nevertheless/Now is beautiful.

More paintings and info at: https://sites.google.com/view/cabinetofvanities
Pastel and Ink on Canson, 2025,20×26
Lyrical morning/Fog blurs distance/Hides future/Nevertheless/Now is beautiful.

More paintings and info at: https://sites.google.com/view/cabinetofvanities
Acrylic on Canvas, 2003,40×30
We leave our deep thoughts at/the closed studio door. Hand-eye/wired directly is ideal. Half/each brain a sullen spectator/all hoping for sometime magic

More paintings and info at: https://sites.google.com/view/cabinetofvanities
Acrylic on Watercolor Paper, 2000,22×30
Lovers do not see as I/nor others in this park/yet see and think enough alike/for me to hope to capture/share as I do see

Off and on through the years, I have sketched and painted seriously. As many people have discovered, art (or serious craft) can be magical. There is a wonderful sense of accomplishment and a re-enchantment with the world .
Decoration has served many purposes throughout the ages, and I am not one to judge degrees of worth. These days of abundance surround us with inexpensive beautiful artifacts, often in limitless quantities, turned out by machines. A miracle in itself, also enriching our lives .
Now Joan and I participate in an art group, and I have reason to contemplate what I am doing, why I want to do it, where I want to take it. I’ve always tended to be hasty and immersive – I like to totally “lose myself” in what I am doing for as long as necessary. I rarely linger over detailed cleanup after the trance fades .
I cultivate the exploitation of my enthusiasm, my limitations, my ambitions, my competence. I do not try to outdo the machines. I find little joy in reproducing machine work. I don’t like working off photographs – too much detail, two little focus, and often artificial viewpoint .
Creating as a child. Others have their own ways and their own valuations. We all are expanded by doing something active .

More paintings and info at: https://sites.google.com/view/cabinetofvanities
Acrylic on Canvas, 2002, 30×40
From infinite space/in forever time/only this place/only this moment/only myself

More paintings and info at: https://sites.google.com/view/cabinetofvanities
Acrylic on Canvas, 2003, 30×40
In dark times hope/spreads wings and soars/sometimes toward our despair/sometimes away

More paintings and info at: https://sites.google.com/view/cabinetofvanities
Pastel and Ink on Canson, 2003, 20×26

Acrylic on Canvas, 1970, 30×40
Jonas Family Portrait

As a would-be visual artist, I was always annoyed that once a painting was sold nothing remained to the creator. Music and film had “residuals”, books had copyrights. But once a painting was sold (or traded for a meal) the new owner had any right to its future earnings – even if it sold next year for millions of dollars .
Digital copying has evened that out, of course. Very little remains to most originators. Truthfully, even at its peak, most of the people helping the prime creator – backup musicians, studio assistance, even gallery owners – never reaped a future windfall .
Now the art market is entirely strange, where a banana taped to a wall can sell for 3 million. Some of this is simply potlatch behavior from the filthy rich “look what I can do”. Mostly, though, in certain areas – again among the wealthy – it is simply that demand is high everywhere, but supply of most tangible things is vast_ even gold and diamonds once precious. So anything in limited supply – actual painting from a known artist, Bitcoin, ancient automobiles – skyrockets in value .
Why? Mostly so those people can taunt each other with calls of “I have it and you can’t!”
Fortunately, for most artists, creation is its own reward. As, indeed, it must be .

Acrylic on Canvas, 2001, 30×40
Election day is coming/volunteers snag passers-by/the candidate shakes hands/balloons fly/life goes on