
More paintings and info at: https://sites.google.com/view/cabinetofvanities
Acrylic on Watercolor Paper, 2005,22×30
Yeah, Jack,/I almost had/it then I/forgot

More paintings and info at: https://sites.google.com/view/cabinetofvanities
Acrylic on Watercolor Paper, 2005,22×30
Yeah, Jack,/I almost had/it then I/forgot

More paintings and info at: https://sites.google.com/view/cabinetofvanities
Acrylic on Watercolor Paper, 1999, 22×30
Dreck and pebbles on the shore/life’s struggles with the seasons/man’s craft for the elements/light and water play on the eye/how can I hope to describe them?

More paintings and info at: https://sites.google.com/view/cabinetofvanities
Acrylic on Canvas, 1971, 35×48
You’re kidding

More paintings and info at: https://sites.google.com/view/cabinetofvanities
Acrylic on Canvas, 2000, 30×40
Along harborrun time passes/like empty cold wind/pale sun behind racing clouds/I force myself against inertia/with the jogger, defying winter sleep.

More paintings and info at: https://sites.google.com/view/cabinetofvanities
Acrylic on Canvas, 2003,40×30
We leave our deep thoughts at/the closed studio door. Hand-eye/wired directly is ideal. Half/each brain a sullen spectator/all hoping for sometime magic

More paintings and info at: https://sites.google.com/view/cabinetofvanities
Acrylic on Watercolor Paper, 2000,22×30
Lovers do not see as I/nor others in this park/yet see and think enough alike/for me to hope to capture/share as I do see

More paintings and info at: https://sites.google.com/view/cabinetofvanities
Acrylic on Canvas, 2002, 30×40
From infinite space/in forever time/only this place/only this moment/only myself

More paintings and info at: https://sites.google.com/view/cabinetofvanities
Acrylic on Canvas, 2003, 30×40
In dark times hope/spreads wings and soars/sometimes toward our despair/sometimes away

Acrylic on Canvas, 1970, 30×40
Jonas Family Portrait

As a would-be visual artist, I was always annoyed that once a painting was sold nothing remained to the creator. Music and film had “residuals”, books had copyrights. But once a painting was sold (or traded for a meal) the new owner had any right to its future earnings – even if it sold next year for millions of dollars .
Digital copying has evened that out, of course. Very little remains to most originators. Truthfully, even at its peak, most of the people helping the prime creator – backup musicians, studio assistance, even gallery owners – never reaped a future windfall .
Now the art market is entirely strange, where a banana taped to a wall can sell for 3 million. Some of this is simply potlatch behavior from the filthy rich “look what I can do”. Mostly, though, in certain areas – again among the wealthy – it is simply that demand is high everywhere, but supply of most tangible things is vast_ even gold and diamonds once precious. So anything in limited supply – actual painting from a known artist, Bitcoin, ancient automobiles – skyrockets in value .
Why? Mostly so those people can taunt each other with calls of “I have it and you can’t!”
Fortunately, for most artists, creation is its own reward. As, indeed, it must be .