Lines and Shadows

Art instruction books often begin by stating “there are no lines in nature.” Which is obviously, annoyingly, both true and false. “Nature” may not have a horizon “line” drawn where earth meets sky, but people certainly perceive that line. As do their mechanical devices .

So beginners always start with lines. Kids outline flowers and houses in their first drawings. Stick figures, on the other hand, are abstract ideas of people like Mommy or Daddy with important bits – torso, limbs, and head – largely symbolic.

Shading is just as strange. Mostly we perceive shadows as darker shapes, but impressionists found them more real by adding colors .

The point of all this is that very little – even human basic perception – is quite as simple as it appears. This has been driven home lately by how much trouble computers have interpreting visual information like boxes in a pile .

Beyond that, things like lines and shadows require some concentrated imagination which is one of the reasons most of us like drawing and other visual arts. Not because it is “true” but because it is “fun” .

No lines in nature. An awful lot in our heads .

Relaxed Art

Off and on through the years, I have sketched and painted seriously. As many people have discovered, art (or serious craft) can be magical. There is a wonderful sense of accomplishment and a re-enchantment with the world .

Decoration has served many purposes throughout the ages, and I am not one to judge degrees of worth. These days of abundance surround us with inexpensive beautiful artifacts, often in limitless quantities, turned out by machines. A miracle in itself, also enriching our lives .

Now Joan and I participate in an art group, and I have reason to contemplate what I am doing, why I want to do it, where I want to take it. I’ve always tended to be hasty and immersive – I like to totally “lose myself” in what I am doing for as long as necessary. I rarely linger over detailed cleanup after the trance fades .

I cultivate the exploitation of my enthusiasm, my limitations, my ambitions, my competence. I do not try to outdo the machines. I find little joy in reproducing machine work. I don’t like working off photographs – too much detail, two little focus, and often artificial viewpoint .

Creating as a child. Others have their own ways and their own valuations. We all are expanded by doing something active .