Joy of Surprise

Many times in my life I have purposely tried not to overprepare. Careful planning and study can dull the joy. At least for good things, I have always appreciated surprises .

Now that I began drawing again., I have gone through the usual process of learning to be an artist. At first I was overwhelmed and fearful at making “mistakes”. Then with practice, I was able to concentrate on the general shape of what I was trying to do .

The true reward is beginning to arrive after 6 months of mostly concentrated effort. Some of the things I do are once again surprising me. My intuition kicks in and spontaneously adds a doodle or line, which turns out to be quite interesting. My hands almost guide themselves as I pay more attention to the general vision of what I want. And at some point, as I finish up, I am happily surprised at the result. At least some of the time …

When folks speak of becoming like a child, they often mean being able to play. Surprise is a part of that. I merely extend that to utilize it in other areas of my life .

These days it is much too easy to know (or think we know) too much. Sometimes, ignorance can truly provide bliss.

Matisse

I suspect most people walk into a room, glance around, and when they find nothing threatening nor astonishing, begin to concentrate on whatever purpose at hand. I myself tend to ignore most wall decorations out of rush and habit. And, after all, paintings are really just simple wall decorations.

That’s why I like Matisse. Unlike artists who wish to make us look, try to change our character, to disturb the bourgeois, or to follow some obscure vision, Matisse accepts being a relaxing wall decoration. A beautiful and amazing wall decoration, to be sure, but no more than that.

Matisse is no simple artist. His pictures do reward long and deep study. There is always nuance in the deceptively simple presentations. But if you do not feel the nuance, his paintings are also just lovely background. A lot like nature itself .

I admit a preference for bold colors and strong drawing which he consistently delivers. Blended subtlety must be left for others. His work is usually joyful, exuberant, and makes one smile when it is noticed .

In a world of acid religions, societies, and politics, it is refreshing to contemplate his world of “lux, calme, et volupte.”