
Acrylic on Canvas, 2005, 30×40
Heat simmers air up / reflections cool down / almost nothing moves / lethargy
All paintings at: https://sites.google.com/view/cabinetofvanities

Acrylic on Canvas, 2005, 30×40
Heat simmers air up / reflections cool down / almost nothing moves / lethargy
All paintings at: https://sites.google.com/view/cabinetofvanities

Acrylic on Canvas, 2004, 30×40
One lovely morning / in the middle – / a swan / my morning, my swan, my center
All paintings at: https://sites.google.com/view/cabinetofvanities

Acrylic on Canvas, 2002, 30×40
Pale rider skims, / deep and jagged canyon / chaos mists. Cruel the line / cold blue steel the hook
All paintings at: https://sites.google.com/view/cabinetofvanities
(Pale rider series a reflection on the death of close relatives)

In art, as in society, bland beauty is out, shock is in. We are inundated with machine replicated loveliness. No real complaints about that – it surely makes our lives better. I’m not about to harp on “bourgeois aesthetics” – taste is always fickle and in the eye of the beholder .
Ah, but to get someone’s attention? That is difficult. Pretty much impossible to out-machine machines – folks can easily buy relatively cheap stuff indistinguishable from the original masterpieces of the ages. And the whole world of artisans, amateurs, and now AI churns out more mountains of stuff hour by hour, day by day, year by year .
All that remains is notoriety. Become famous. A red x on a black splotch done by a celebrity is worth something. A ceiling that resembles a palatial achievement done by Jane Doe – not so much. So shock it is – blood, guts, mess or – as Tom Wolfe called it – aesthetics of “the painted word” – slavishly adhering to an artificial intellectual formulation .
And so it is becoming with work, life, being. Shock everyone to “go viral”. Become well known. Stand out from the crowd. No matter how crude, stupid, senseless – shock the complacent herd into frenzies .
Ah, elusive success .

Acrylic on Canvas, 2001, 30×40
Stiff soldiers guard this shore / ready for autumn, helpless to hold / its advances
anthropomorphism, simile, just weeds / I catch my fancies in paint
All paintings at: https://sites.google.com/view/cabinetofvanities

Acrylic on Canvas 1971, 30×40
The Young Bride
All paintings at: https://sites.google.com/view/cabinetofvanities

Acrylic on Watercolor Paper, 1998, 18×24
Fierce north winds have ceased / in this moment / from refuge humble or refuge proud / life greets the dawn
All paintings at: https://sites.google.com/view/cabinetofvanities

All paintings at: https://sites.google.com/view/cabinetofvanities
Acrylic on Canvas, 2003, 30×40
Morning starts alike for all / (for all fortunate enough to wake) / then unique needs, cares, desires / splinter into infinite / individual universe and time

All paintings at: https://sites.google.com/view/cabinetofvanities
Acrylic on Canvas, 1976, 30×40
What? Weeds? / what is he saying? / Life? / yeah, so what / my house is cold!

All paintings at: https://sites.google.com/view/cabinetofvanities
Acrylic on Watercolor Paper, 1998, 18×24
Morning fog matches my thoughts / short, shapeless, veiling reality / with a beauty of its own